An artist who parodies commercial software development is able to
influence perception and the thinking of people to whom otherwise she
would not have access.An artist creating or using software
"differently" is able, at least
for the time being, to conquer the omnipresence of commerce and to
introduce art into such spheres - spheres in which its presence wasn't
previously contemplated. (…) dedicated to the artistic contemplation of
software: its creation, modification and deconstruction. Alexei Shulgin, Olga Goriunova
http://www.runme.org/categories/+existing_software_manipulations
Behind the Blip: Software as Culture. … Another pre-existing area that
offers insights for an understanding of software as culture is the
tradition of accounts of their work by programmers. Key texts are Larry
Wall's 'Perl as a Postmodern Programming Language' and Ellen Ullman's
'Close to the Machine'. Both of these in their own ways document the
interrelation of programming with other formations, cultural, social,
aesthetic. These are drives that are built into and compose software
rather than use it as a neutral tool.
Matthew Fuller
http://www.backspace.org/iod/mutation.html 